It is probably not a particularly original concept, and there are ideas behind other bands that pragmatically respond to the same need.”Īsked about their inspirations, their continue: “The biggest part of influence with regard to Enjoyable Music‘s sound comes from the kind of bizarre cybergrind that could be found on some netlabels of the time, first of all in that incredible mixture of aggressive sounds that was Grindcore Karaoke. has been an existential device, a tool to deactivate a painful urge – to create in spite of a bad musical result and lack of appreciation whatsoever. Personally, more than a musical project, E. From this point of view, Enjoyable Music starts from the desire not to mutilate the urge to create but rather to let it flow in its joyful incoherence. The urge to create is unasked and to a certain extent unwanted at that point, the space of choice opens up as to whether to channel or suppress this urge. Nobody says that the motion is in the object, but that the object is in motion. That is: the urge to create is a flow in which we are dragged. That is: music is servant to life and not the contrary. After a certain massive amount of frustration, somewhere along the way we encountered the concept of Enjoyable Music. “We had the drive to make music, but the results always tended to be very poor compared to our expectations, given our lack of knowledge of the means by which music is produced.
“ Enjoyable Music was born in late 2016 essentially as a by-product of our inability to give a coherent form to the kind of music we wanted to produce.” – comments the band. The titles of the tracks are often sub-products of reflections about the whole Enjoyable Music project, emanating from meditations about the personal meaning of the practice of music-making. They are loyal to their sonic ethos, which aims not to mutilate the urge to create with value-oriented impositions. “A Liturgy Of Wires” summarizes the whole Enjoyable attituded towards sound: a despicable cauldron of synthetic black metal, abrasive noisecore bursts, melancholic digital ambient and a wide array of deranged electronica. This is one of the few Enjoyable Music’s full-lengths, most of their discography consisting of split albums. MO16: A Liturgy Of Wires by Enjoyable Music Bad on purpose, their aesthetical guerrilla usually remains concealed even to the most nerdy bandcamp dweller. In these years, the members of Enjoyable Music have dedicated themselves to some sort of mutated cyber-grindcore which incorporates many stylemes their cyber attitude is much closer to an experimental noise-rock weirdness than to a gabber-infused metal subgenre. Much like the Factory from Thomas Ligotti’s The Red Tower short story, they tirelessly worked to craft weird and twisted sounds and stealthily entrust them to dark internet pages.
Since late 2016 they devoted themselves to actively placing their sounds in the most forgotten corners of the web. Together with the album they presented “Art Itself Vomits”, a perpetual art exhibition curated by the duo, their new offering comes as an intriguing body of art that we’re thrilled to explore in detail.Įnjoyable Music occupies a peculiar place in the under-underweb of music producers.
TWISTED INSANE SONGS FULL
It does not store any personal data.Email After years spent in developing their peculiar sound and aesthetic and releasing tons of split albums in the most forgotten corners of the web, ENJOYABLE MUSIC have landed on Musica Orizzontale label with their new full length, delivering a mix of synthetic noisecore, melancholic digital ambient and a wide array of deranged electronica. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies.
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